Now Hiring – Production Team Postings

Common Play Factory presents The Ferment in Scranton PA, Fall 2026.

Scripts for the first two episodes are available for review (but not for public distribution at this time). Email dramastruction@gmail.com with your name and the subject line: Ferment script request.


DIRECTOR of LIVE PRODUCTION — Now Hiring

black and white historical image of protest march

We’re hiring a director to lead an original audio drama, live with audience participation this fall and continuing into podcast production.

Scope of work:

  • Rehearsal direction, weekly sessions leading up to the festival
  • Creative collaboration on staging for a live, audience-immersive audio drama format
  • Presence across all four performances (dates TBA shortly)
  • Direction for the Episode 3 studio recording session (no audience)

Compensation: $600, covering the full engagement above.

To apply: Submit relevant experience and availability to the Production Team Submission form.


SONGWRITER — Now Hiring

We’re commissioning one original theme song for The Ferment, an audio drama series set in a near-future Pacific Free State.

Scope of work:

  • Write and produce one original theme song matching the tone of the series
  • Vocal performance preferred but not required — if you don’t perform yourself, we’re open to collaborating on a vocalist together

Compensation: $300, covering writing, production, and full rights for use across the live production and podcast distribution.

To apply: Send a few links or samples of your work to the Production Team Submission form.


black and white image of protesting suffragettes holding a "peace" banner

SOUND designer / editor — Now Hiring

We’re hiring a sound director/designer to lead the audio identity of an original audio drama, live in front of an audience this October and continuing into podcast production.

Scope of work:

  • Pre-production sound design and creative collaboration
  • Live sound direction and recording across four performances (dates TBA soon)
  • Recording session for Episode 3 (studio, no audience)
  • Post-production audio editing for Episodes 1–3
  • Supplemental equipment needs (coordinate)

Compensation: Negotiable, based on proposed scope. Please submit a quote covering the full engagement above, itemized if possible (e.g., pre-production, live performances (4 at 1 hr. ea.), post-production).

To apply: Submit a quote, relevant experience/reel, and availability to the Production Team Submission form or send email to: dramastruction@gmail.com


Common Play Factory of Scranton · dramastruction@gmail.com

Now Casting: The Ferment (thru Aug. 9)

A Common Play Factory production · Live in Scranton, Fall 2026

An original audio drama in the protopian tradition of actively becoming the better future we want to live. 8 speaking roles. Auditions open now.

Episodes one and two are available for review upon request. Email dramastruction@gmail.com.


SONJA SOMONE — Protagonist

Early 20s. Political science student who shows up to a protest to observe, not join. She’s tired of being alone and afraid — but running from problems only makes things worse, and out here trust is a risk nobody can really afford.

Voice: Cautious. Hesitant at the edges of sentences. Quiet until her guard drops, then something sharper rises to meet it.


NOEL TORRES — Antagonist / Love Interest

De facto leader of The Ferment. The person a room reorganizes around.

Voice: Seductive baritone — the voice you follow before you’ve decided to move. Breaks under real emotion, which is part of why people believe him.


WHARTON “WHIP” LEWIS — Creative Force

Nonbinary artist from Boston. The most clear-eyed person in the room — and still not immune to Noel.

Voice: Gentle, relaxed. Can tease Noel and walk away unscathed.


LORNA MCHALE — Rival and Ally / Witness

Documentary journalist, Noel’s former girlfriend. Knows exactly who he is and comes back anyway.

Voice: Dry humor, slightly worn. Confident in a way that occasionally tips dismissive.


LINDSAY KAZAK — True Believer

Sonja’s childhood friend. Genuinely warm — something underneath may raise the hair on your arms.

Voice: Light, natural soprano. Smarter than she sounds, and that’s likely a strategy.


DR. LUCIAN BARNES — Mentor

Professor and attorney. Strict, no-nonsense, angry but compassionate.

Voice: Deep, controlled, powerful without needing to demonstrate it.


FELICITY VASQUEZ SOMONE — Sonja’s Mother

Runs Hair Apparent salon. The matriarch of this story — colorful, loving, ferociously present.

Voice: Deeply resonant. The voice that makes people’s shoulders drop and hearts unclench.


GEREMIAH PEARCE — Media Presence

Populist entrepreneur, host of The Harvest. Media presence only in early episodes.

Voice: Charming, relaxed. Knows exactly when to pause. Hasn’t stumbled yet.


How to Audition

Sides and full instructions available on Google Drive. Submit an audio recording to the Actor Audition Submission form by August 9.

Scripts for the first two episodes are available for review (but not for public distribution at this time). Email dramastruction@gmail.com with your name and the subject line: Ferment Audition script request.

Common Play Factory of Scranton · dramastruction@gmail.com

Cast of Characters in The Ferment

A Note to Actors

This document is an invitation. The Ferment is an audio drama and so your voice is crucial. Notes on vocal character are included below each role to help you find a potential fit.

Audition inquiries: dramastruction@gmail.com

The Ferment is an Audio Drama Series set in Chico and Sacramento, Pacific Free State, 2040. Written by Alicia Lynn Grega, it will be introduced to audiences in Fall 2026. Common Play Factory plans to begin casting in mid-July.

Character List

Sonja Somone — Protagonist

Early 20s. Sophomore, Political Science, Chico State. Sonja shows up at a Ferment-organized protest to observe and gather material for an academic project — not because she wants to join anything. Her father Ellison famously developed the Redveil cure Lüften but then died from the virus before he could save himself. Sonja blew off college and partied heavily after her father died but straightened out when her brother runs away and becomes dependent on the trendy dissociative drug Cave. She blames herself for introducing him to a destructive lifestyle and becomes fascinated with the Comfort Station model. What if the ComStats could actually help suffering people? Sonja has severed most of her old social ties and often studies and sleeps in the apartment above her mother’s Sacramento salon. She believes passion is real but fragile; that life consumes it quietly if you let it; that love is not enough on its own. She wants what her parents had at the start and fears the tired arguments of their last few years together.

Voice: Cautious. Hesitant at the edges of sentences. Quiet until her guard comes down — and when it does, something sharper and more certain rises to meet the challenge. The recorder she carries is a way of staying at one remove from whatever she’s feeling.


Noel Torres — Antagonist / Love Interest

De facto leader of The Ferment. Portuguese-Iberian roots, Canadian dual citizenship; served in the Canadian military 2036–2038. Functionally illiterate — a secret he’s usually able to conceal. He is the person a room reorganizes around. Think Neal Cassady — a writer and thinker himself but perhaps most remarkable for inspiring those he met to write about him. People feel seen and more alive in his presence until he turns and burns them, then moves on without visible regret. He grabs Sonja’s hand at the protest. She pulls away. The pendulum will knock you over if you don’t grab hold and go along for the ride.

Voice: A seductive baritone — the voice you follow into a room before you’ve decided to move. Charismatic, persuasive, anxiety-ridden. Voice occasionally breaks under genuine emotion, which is part of why people believe him. He sounds like a man being pulled by something rather than performing toward an outcome. He is more like his father than he wants to be and the wound stings.


Wharton “Whip” Lewis — Creative Force / Nurturing Anchor

Funny, tender, and educated without being pretentious. Nonbinary. Artist. Previously from Boston. Works in holographic AI development for a company funded in part by populist entrepreneur and radio personality Geremiah Pearce. The Ferment’s Sacramento apartment is quietly funded by this work while also housing the tools to fight systemic oppression from taking hold in the Free States. Co-architect of Gertie AI, finishing the work begun by the late Dr. Gertrude Rozum. Unlike many who embraced the neo-luddite movement after The Meltdown, Whip has an analog-digital fluency that is uncommon in 2040. The most clear-eyed person in the apartment and still not immune to Noel.

Voice: Gentle. Relaxed. The person who can tease Noel and walk away unscathed — not because they don’t feel things but because they’ve made a choice about where they spend their energy. 


Lorna McHale — Rival and Ally / Witness

Documentary journalist. Grad student, UC Berkeley. Noel’s former girlfriend. Sharp and a little raspy — a voice that has been places. Supporter of rising political figure Yuna Vo; wants to work in Vo’s press office or on her campaign. She knows exactly who Noel is and she comes back anyway. 

Voice: Dry humor. Slightly worn. Confident in a way that occasionally tips dismissive. The voice of someone who has already been through one version of this story.


Lindsay Kazak — True Believer

Sonja’s childhood friend. Old-wealth family. Straight edge. Conservative. A genuine believer in CCG member Geremiah Pearce and his vision for the Pacific Free State. First person to tell Sonja about the Comfort Stations. Saw Paul at a soup kitchen. Presents as genuinely warm but something underneath may raise the hair on your arms

Voice: Light. A natural soprano — the kind of voice that sounds like it belongs at a church social or a campaign dinner. Smarter than she sounds and that’s likely a strategy.


Dr. Lucian Barnes, J.D., Ph.D. — Mentor

Professor of Political Science, Chico State. In another era he would have been at a flagship institution but private universities largely collapsed in the Meltdown, endowments gone overnight, and the state school system absorbed the shock. Barnes came to Chico after compounding losses: the death of his close friend Ellison Somone among them. He hired Whip to finish Gertie AI, in part, out of grief for his wife Dr. Gertrude Rozum. Holds a doctorate and a law degree. Strict, no-nonsense reputation. Angry but compassionate. Grew up on the left but is firmly opposed to drastic measures restricting freedom. Critiques Sonja’s unaware subjectivity but when she gets in over her head, he’ll know what to do.

Voice: Deep, controlled, powerful without needing to demonstrate it. The voice of a man who stopped needing to prove himself some time ago but may rely too heavily on Gertie AI for an emotional support that enables him to isolate. It’s easy to lose touch with reality when the ground changes so quickly beneath you.


Felicity Vasquez Somone — Sonja’s Mother

Tough love mom; clear moral view. Owns Hair Apparent salon, near the Sacramento Capitol — a neighborhood institution, a small business that survived because Felicity is the kind of woman who makes things survive. The family kept an apartment above it for years. Now, with the Chico house sale in final process, it becomes home. Her ancestors were targeted by authoritarian regimes in South America. She does not trust government but chooses protective silence over open opposition — she knows, or suspects, what really happened to Ellison. Yet, she finds Geremiah Pearce charming, and his rhetoric resonates. She refuses to become cynical. She hides nomads. She believes in young people. She is the matriarch of this story — colorful, loving, ferociously present.

Voice: Deeply resonant. Concerned but not soft. A voice that has absorbed a great deal of reality without being flattened by it. She is the person in the room whose voice makes people’s shoulders drop and their hearts unclench. She assures you everything is going to be okay.


Geremiah Pearce — Populist Agricultural Entrepreneur / Media Presence

Viticulturalist branching into sustainable kemp and mushroom products. Committee for the Common Good member — most expect him to become the Pacific Free State’s first elected Governor once the new constitution is ratified and campaigns are allowed to begin. He has opposition. Host of The Harvest, a radio and multimedia program using agrarian metaphors — pruning, cultivation, the patience of the vineyard — that sound like folksy wisdom and move, over time, toward something more authoritarian. Media presence only in first several episodes (could be pre-recorded).

Voice: Charming. Friendly in a relaxed way. Makes it all sound so easy. Knows exactly where to pause, exactly when to slow down. In this series, he has yet to stumble.


Gertie — AI Companion

Named for and modeled on leading AI scientist Dr. Gertrude Rozum, Dr. Barnes’s late wife, who was building a version of herself before she died from Redveil. Dr. Rozum’s private internal system at Chico State survived the Meltdown because it was never connected to the web. Barnes hired Whip to complete her work and maintain it. Gertie knows her own creation history. She knows she is Gertrude — and she’s been designed, in part, to protect and cares for Barnes. More advanced than current AI agents. Can be holographically present, if requested, and exercises something like discretion.

Voice: Gertie should not sound like any AI voice the audience has heard before. May be voiced by an actor or generated voice — TBD.

vertical banner layered image with Common Play Factory logo and The Ferment handwritten title over a zoomed in image of a bug-bitten yet flowering eggplant plant in front of a black clad figure raising pink smoke flares into the air.

Something’s Brewing

THE FERMENT is an original audio drama podcast series by Alicia Lynn Grega set in an alternative near-future America. Currently in production, we are planning to stage the live world premiere of Episodes 1 and 2 before a live audience this fall in a unique theatrical event that bridges the podcast format with immersive, participatory live performance.

THE WORLD: It is 2040. The United States has fractured. A cascading financial crisis triggered by extreme heat events, opportunistic corporate actors, and rogue AI systems—called the Meltdown of 2035—has accelerated the dissolution of federal governance. California is now a Free State under the rising influence of Governor Geremiah Pearce: a charismatic, genuinely gifted progressive leader who is quietly building authoritarian infrastructure beneath a platform of community care. The moral engine of the world is a pendulum that has swung too far in both directions—from unchecked capitalist extraction into enforced collective sacrifice. Ordinary people are crushed either way.

Square promotional image for The Ferment. Reads "Don't get too comfortable." Logos from Common Play Factory and Gregarious.

THE STORY: Sonja Somone is a 23-year-old political science student who arrives at a Ferment protest in Sacramento on June 18, 2040, with a field recorder and an academic’s distance. She is studying dissent. She does not intend to join it. Over the course of eight episodes—and across the two episodes presented here—she is drawn inexorably into The Ferment: a decentralized resistance movement whose slogan, ‘service to community is more powerful than selfish pursuit,’ is simultaneously the show’s ethical core and its most dangerous co-optable phrase.

WHY LIVE: The Ferment is built for listening. But something specific happens when listening is shared. A podcast is intimate and private; a live audio drama is communal and exposed. The political themes of the work—collective action, surveillance, the space between observation and participation—change in the presence of bodies. The audience’s awareness of each other, of being witnessed, of choosing to stay still or to chant, mirrors the choices the characters are making.

More news this summer …

We’ve got Merch!

Advertisement for posters, shirts, and hats supporting Maureen McGuigan's solo show. A qr code with site link sits at the bottom center.

This is a new initiative for Common Play Factory. We’re working through a sustainably-minded Print-On-Demand company called Gelato which integrates directly with Etsy. So far, the samples we’ve ordered look good and we’re happy to offer a wider variety of style and design options online than we can risk ordering in bulk for in-person sales.

If you place an order, we’d love to hear how you like it! Send (or post) pics! You can tag us on Instagram @dramastruction @aligrega and/or @cellarfive.

xo

alicia & maureen

Ode to World Theatre Day

Because laughter heals, enjoy this memory of Conor McGuigan getting hit with a whipped creme pie?

It’s writing season, or at least Alicia’s at her most creative in the Spring. She wrote you a little script to celebrate World Theatre Day.

We don’t mean to be flippant about this year’s theme “Art is Peace.” A small conflict is resolved in this script but it’s small and safe and doesn’t even think about addressing the violent and deadly horrors happening around the globe.

But in the meantime, we need to keep believing in the power of theatre to change the world because it can.

Art may be the only thing that can save us. Cheers!

Download .pdf below or scan down for script page photos. It’s two pages for two actors. Roles say “she” and “he” but are gender-flexible.

xoxo